For whatever reason, I’ve been seeing a lot of people bemoaning modern werewolf stories, whining that “werewolves have become sympathetic” as if this is both new and bad.
Rather than respond to each individually, I thought I’d do a list of werewolves in one place instead. Because this is an incomplete list, I’m limiting it to European, mostly named, and pre-modern (mostly to demonstrate a point):
Alphesiboeus & Moeris – werewolves in Greece, no ethical commentary given (Virgil, Eclogue VIII, 1st c. BCE)
Niceros’s Soldier – potentially violent werewolf, but no violent action in the story (Petronius, Satyricon, 1st c. CE)
Lycaon – man cursed by Zeus with a wolf shape for crimes against the gods (Ovid, Metamorphoses, 1st c. CE)
Demarchus – one of many werewolves of Arcadia, Olympic champion (Pausanias, The Description of Greece, 2nd c. CE; also mentioned by St. Augustine of Hippo, The City of God, 4th/5th c.)
——— – neutral discussion of werewolves (Isidore of Seville, 6th/7th c. CE)
Alphouns – sympathetic werewolf, prince of Spain (Guillaume de Palerne, 12th c.; translated to English as William of Palerne, 14th c.)
Bisclavret – sympathetic knight-werewolf (Marie de France, “Bisclavret”, 12th c.)
Ossory-Meath Werewolves – sympathetic werewolves, married couple (Gerald of Wales, History and Topography of Ireland, 12th c.)
Gorlagon – sympathetic werewolf, king (Anon., “Arthur & Gorlagon”, 14th c.)
Peeter Stubbe – monstrous werewolf, put on trial in Germany (1590)
Jean Grenier – monstrous, yet sympathetic, child werewolf, put on trial in France, deemed psychosis (1603)
Ferdinand – psychosis werewolf induced by incestuous desire (John Webster, The Duchess of Malfi, 1614)
Wolf – the monstrous wolf-man of Little Red Riding Hood (Charles Perrault, 1697).
As we can see, the sympathetic and monstrous varieties of werewolves have existed side-by-side for well over 2000 years. In fact, the sympathetic werewolf seems to trace back further in history (and pre-history) than the monstrous variety (see Adam Douglas, The Beast Within, for a good starting history of the figure).